The
article, Spatial Anxiety: Adapting the
Social Space of Pride and Prejudice, written by Robin Swicord, discusses
film adaptations of the novel "Pride and Prejudice" by Jane Austen,
with particular focus given to the treatment of minor characters. The author
argues that the novel encourages the reader to feel a sense of superiority over
minor characters, and that the time constraints of feature-length film
adaptations lead to more time for minor characters and upset the social
hierarchy implied in the novel. The article uses evidence from “the 1967, 1980,
and 1995 BBC television serials and the two feature-length films” where Swicord
“suggests that the sympathetic representation of social anxiety and impropriety
common to both feature-length adaptations reveals the unsavory social
implications of accepting too
readily this novel's worldview” (Swicord, 2007, p. 31).
In the
first episode of the 1995, BBC series, Mr. Charles Bingley, a rich man from the
north of England, settles down at Netherfield estate near Meryton village in
Hertfordshire for the autumn. Mrs. Bennet, unlike her husband, is excited at
the prospect of marrying off one of her five daughters (Jane, Elizabeth, Mary,
Kitty, and Lydia) to the newcomer. Bingley takes an immediate liking to Jane at
a local country-dance, while his best friend Mr. Darcy, rumored to be twice as
rich, and refuses to stand up with anyone including Elizabeth. Elizabeth's poor
impression of his character is confirmed at a later gathering at Lucas Lodge
and she and Darcy verbally clash on the two nights she spends at Netherfield
caring for the sick Jane.
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