While watching Goold’s version of Macbeth, a scene that particularly struck me was Act 4, scene 3
when Malcolm tests Macduff’s character and Macduff discovers the news of the
murder of his family. First off, the setting of the scene was what initially
sparked my interest. Instead of being outside of King Edward’s palace, they
appear to be inside (maybe), where Malcolm was interrupted from enjoying a piano
concert. Such an event is often regarded with high social standing, and the
intense, intimate discussion that turns into much more than mere whispers
stands in stark contrast to the elegance of what is going on in the background.
Moving forward, when the scene transfers into the church as Malcolm discovers
the state of disarray that Scotland it is, I thought that placing this part of
the scene in the church displays the disparity and desperate condition that
they were really in. As Malcolm kneels down in the pew as if he were praying,
it signifies his much more upright moral character (compared to Macbeth), as
well as marking the point where things are at their worst and perhaps there is
no turning back. With the increasing number of dead bodies arising and complete
chaos abounding due to Macbeth’s reign, it seems the only response (besides
vengeance) is to kneel down and pray. I also enjoyed when Macduff discovers the
news of his family’s murder. The raw and genuine emotion portrayed was
incredible, it made me feel the emotions he was myself. The extended period of
silence helped to contribute to this emotion, and I enjoyed how much thought
was clearly put into the workings of this scene, and altogether, the entire
movie. Goold’s adaptation is exceptional, and I look forward to re-watching
this piece in order to better understand and appreciate the intricacies that
went into producing such a wonderful piece of art.
No comments:
Post a Comment